The average creative project now goes through five rounds of development. In 2007, it was three. That gap is not a creativity problem. It is a brief problem.
Five rounds of development means five rounds of agency time, five rounds of internal review, five rounds of stakeholders discovering that what they imagined and what was made are two different things. The cost is not just financial. By round four, the energy has left the room. The creative team is executing changes, not solving problems. The marketing manager is managing expectations, not outcomes.
The BetterBriefs Global Report identified the root cause: only 10% of marketers believe their agency fully understands their brief. That is not an agency failure. It is a systemic one. The brief is where projects are won or lost, and most organisations treat it as an afterthought.
Five rounds of development. Three was the norm in 2007. The difference is not complexity. It is alignment.
What a sprint actually solves
A brand strategy sprint is a structured, time-bound process, typically one to three days, that front-loads the decisions usually made during creative review. Who is the audience? What does the brand need to communicate to them? What does success look like, and who decides? These are not difficult questions. But left unanswered at the start, they become the source of every difficult conversation later.
The sprint does not replace the creative brief. It makes the brief possible to write with confidence. When the key decision-makers have sat in a room together and worked through the strategic questions, the brief that follows reflects genuine alignment rather than the lead marketer’s best guess at what everyone else wants.
The real cost of misalignment
Misalignment in a creative project compounds. The first round of feedback reveals a disagreement about the audience. The second reveals a disagreement about the tone. The third reveals that a senior stakeholder, absent from the briefing, has a different view of the brand entirely. Each round adds time, cost and friction, and none of it adds strategic value.
BetterBriefs research is unambiguous on this: brief quality is the single biggest predictor of project efficiency. When evaluation criteria are agreed before any creative work begins, feedback becomes objective. Reviewers are assessing work against a shared standard rather than a personal reaction. That shift, from taste-based to criteria-based review, is where projects stop cycling and start progressing.
The implication for budgets is concrete. Reducing a project from five rounds of development to two, which is consistently achievable with proper alignment, can save 30 to 40% of total agency fees on a mid-sized branding engagement. The sprint pays for itself before the first concept is presented.
What this looks like in practice
When Fluid worked with ARCH, the brief required alignment across multiple stakeholders on values, audience priorities, brand personality and naming criteria, all before any visual design began. Rather than presenting options and waiting for reactions, we ran structured workshops to reach genuine agreement on each of those dimensions. We also developed a scoring rubric that gave the review panel an objective framework for evaluating creative work.
The result was one round of refinement, not five. The rubric did not constrain the creative work. It removed the ambiguity that would have undermined it.
That is what a well-run sprint delivers: not a faster process, but a clearer one. The creative team knows what they are solving for. The client knows what they are reviewing. Everyone is assessing the same work against the same criteria.
The brief is a strategic document
This is the shift that matters. A brief is not a formality before the real work begins. It is the strategic foundation the real work is built on. An agency that receives a vague brief will make assumptions. Some of those assumptions will be right. Most will not be exactly right. And in a room full of stakeholders with different views, ‘not exactly right’ becomes the beginning of a long conversation.
The Lions State of Creativity Report 2025 frames this at an industry level: creative effectiveness is declining not because creative quality is falling, but because the conditions for great work, clear strategy, aligned briefs, agreed evaluation criteria, are less commonly met. The sprint is the mechanism for meeting those conditions before the work starts rather than negotiating them after it has been presented.
Key definitions
Brand strategy sprint: A structured, time-bound workshop process, typically one to three days, designed to align internal stakeholders on brand direction, audience priorities and evaluation criteria before creative development begins.
Creative brief: A document that defines the target audience, the single most important message, the desired audience response, the tone and visual territory, and the explicit criteria against which creative work will be evaluated. The criteria section is the most commonly omitted and the most consequential.
Evaluation criteria: The agreed standards against which creative work is assessed at review. When criteria are defined before creative development begins, feedback becomes objective and revision cycles shorten significantly.
Frequently Asked Questions
What is a brand strategy sprint?
A brand strategy sprint is a structured, time-bound process, typically one to three days, designed to align internal stakeholders on brand direction before any creative development begins. Rather than running discovery and creative work in parallel, a sprint front-loads the strategic decisions: who the audience is, what the brand stands for, how success will be evaluated. The BetterBriefs Global Report found that only 10% of marketers believe their agency fully understands their brief, which explains why rework has become the industry norm rather than the exception.
Why does creative rework happen?
Creative rework happens when agencies and marketers are not aligned on the brief, the audience or the evaluation criteria before work begins. Stakeholders who were not involved in the briefing stage often enter the review process late with conflicting views, requiring the creative team to restart rather than refine. Brief quality is the single biggest predictor of project efficiency. When the brief is vague or unsigned-off by key decision-makers, every subsequent round of development becomes a negotiation rather than a refinement.
How many rounds of creative development is normal?
According to the BetterBriefs Global Report, the average creative project now goes through five rounds of development, up from three in 2007. This increase is largely attributed to declining brief quality and the growing number of stakeholders involved in sign-off. Projects where strategic alignment is established before creative work begins typically achieve sign-off in one to two rounds. Reducing from five rounds to two on a mid-sized branding project can save 30 to 40% of total agency fees.
How do you reduce creative rework in a branding project?
Align all key decision-makers on the brief before a single concept is developed. This means agreeing on the target audience, the single most important message, the tone and visual territory, and the criteria against which the creative will be evaluated. When evaluation criteria are defined upfront, feedback becomes objective rather than subjective, and each revision cycle moves the work forward rather than backwards.
What should a good creative brief include?
A well-constructed creative brief should include: a clear description of the target audience and the specific problem being solved; the single most important message the work needs to communicate; the desired audience response; the brand’s tone of voice and visual guardrails; and the explicit criteria against which the creative will be evaluated at review. The criteria section is the most commonly omitted and the most important. Without agreed evaluation criteria, every review becomes a matter of personal taste rather than strategic fit.
How does brand strategy reduce marketing costs?
Brand strategy reduces marketing costs by eliminating the ambiguity that drives rework, revision cycles and misalignment between teams. When an organisation has a clearly defined brand positioning, target audience and messaging hierarchy, every subsequent brief is faster to write and easier to evaluate. Agencies spend less time interpreting vague direction and more time developing work that is strategically grounded.
Sources:
- ‘Lions State of Creativity Report 2025’ — Advertising Council Australia https://advertisingcouncil.org.au/news/lions-releases-the-state-of-creativity-report-2025
- ‘New BetterBriefs research: creative ideation finds flawed processes’ — Mi-3 (2025) https://www.mi-3.com.au/04-03-2025/new-betterbriefs-research-creative-ideation-finds-flawed-processes-varying-levels
- The Better Ideas Project — BetterBriefs Global Report https://s3.amazonaws.com/media.mediapost.com/uploads/TheBetterIdeasProject__GlobalReport_BetterBriefs.pdf
- Related Fluid work: ARCH https://fluid.au/work/arch